Showing posts with label darker. Show all posts
Showing posts with label darker. Show all posts

Friday, 10 August 2018

Josiah Fontenot - Old Metaphors EP

Josiah Fontenot - Old Metaphors
For our 40th release on Colour and Pitch, we welcome Texas native Josiah Fontenot with the stunning ‘Old Metaphors’ EP, featuring remixes from Daniel Allen and Mysterons.

 Opening track ‘Chosen Course’ delivers a compact, tight groove; gradually adding on tweaked acid touches and retro stabs as it steadily builds and builds.

Owner of misfit imprint Denied Music and resident at respected Austin venues Plush and Ethics, Daniel Allen turns in a deep, dark reworking of ‘Chosen Course’, making the most of those acid lines and sprinkling on some techno-infused magic that’s all his own.

 Second original cut ‘Fall’s Start’ sees Fontenot in a more reflective mood; electric pianos and chilled pads creating a thoughtful and hypnotic atmosphere before potent stabs take us up, up and away…

Enigmatic production duo Mysterons provide the EP’s final remix, taking ‘Fall’s Start’ into languid breakbeat territory with a bouncy, bass driven groove and spine-tingling, expansive chords.

Available on Beatport | Spotify | Traxsource | iTunes / Apple Music | Juno

Saturday, 2 December 2017

Sumsuch - Hand Me Down Demons

Hand Me Down Demons, an EP by Sumsuch
Colour and Pitch founder and BBE recording artist Sumsuch returns to his own label with brand new solo EP ‘Hand Me Down Demons'. Exploring the power held by ghosts from the past to damage or even destroy our relationships if we let them, ‘Hand Me Down Demons' is split into three distinct movements. Originating as an improvised piano piece, ‘We Should Talk' quickly evolved into a subtle, warm deep house instrumental, with analogue drums and bass providing a bed for plaintive, heartfelt melodies. Title track ‘Hand Me Down Demons' has a grittier character, with a heavily tweaked acid bass-led groove and eerie vocal harmonies creating a dense, late-night club atmosphere. ‘Slipping Under' closes the EP with a simple classical piano composition set over swirling synth atmospheres and distant seagull cries, symbolizing that final, teary-eyed ending. Music-making at its most cathartic, we hope you enjoy this resonant journey from joy to melancholy in the company of some Hand Me Down Demons we've probably all met before.

Available via Beatport | iTunes | Traxsource | Spotify
 

Tuesday, 27 September 2016

Andrew Duke - Famous EP

It's truly an honour to present this EP from shadowy underground music hero Andrew Duke. Running his weekly radio mix-show show continuously for almost three decades, the Canadian DJ and producer's commitment to the cause simply cannot be questioned. Having released his own brand of mercurial, original music since '93, the title 'Famous' could be viewed as a tongue-in-cheek reference to Andrew's relative anonymity despite his frankly intimidating resume... Though he's clearly too busy curating and creating great music to worry about such things. First coming to the attention of Colour and Pitch through his dedicated support of our releases on the radio show, we were simply bowled over by the 'Famous EP' when it first arrived in our inbox.

Title track 'Famous' features Chicago spoken word artist Keter Darker, whose voice falls somewhere between Maxi Jazz and Gil Scott Heron in its languid, atmospheric delivery. Hypnotic conga rhythms and bleak synths give a sense of futility to the repeated lyrical refrain; 'everyone wants to be famous'. 'Gonna Make It (Second Nature)' plays with broken vocal snippets over slow-motion rhythms, building gently toward a spine-tingling, chord-laden, afro-tinged and utterly addictive groove. Referencing the political strategy of appeasement, the brilliantly titled 'Bread & Circus (Blind Nation)' moves the EP into late-night club territory, with techno influenced percussion and jazzy rhodes chords providing a sleazy backdrop for more of Keter Darker's powerful wordplay. At Andrew's personal request, Orlando's electronic explorer Q-Burns Abstract Message closes out the EP with a truly special reworking of 'Famous'. Expanding on the unique new sound he employed whilst remixing Sumsuch's track 'Shine' for Colour and Pitch last year, Q-BAM's version of 'Famous' is tense, uplifting, deeply cinematic and pretty much indescribable: just listen.

'Andrew Duke creates music that sounds like it has a reason for living' (The Wire, UK)

Available via Traxsource | iTunes | Beatport | Juno | Spotify